His first full collection of poetry, One More Civil Gesture, was published by Isobar Press in 2015, and his second collection, Underground Facility, will be published in 2018.

He holds a D.Phil in British Romanticism from Lincoln College, Oxford, and in 2003 he held the Harper-Wood Studentship in Creative Writing at St Johns College Cambridge. (Christopher) Simons is Senior Associate Professor of British Literature at ICU (International Christian University), Tokyo. It will also (time permitting) include some discussion of the opportunities and challenges of pitching SF and fantasy novels that incorporate poetry to agents and publishers.Ĭ. The presentation will examine some technical problems that arise when authors attempt to write deliberately antiquated verse, such as for medieval fantasy novels. A brief workshop will give participants a chance to try writing a few lines of serious or light-hearted verse for either (a) a well-known work of SF or fantasy such as Star Wars or Lord of the Rings or (b) their own SF or fantasy story. The session presentation will suggest when and how verse can be used effectively in SF and fantasy, and how to write poetry for different fiction projects. Le Guin, Douglas Adams, Dan Simmons, and Gene Wolfe. The session will review the use of poetry by SF and fantasy authors such as Mary Wroth, Sara Coleridge, J. This session is a workshop focused on how to write poetry, and use published poetry, in works of science fiction and fantasy. One Rhyme To Rule Them All How to Write Poetry and Use Published Poetry in Fantasy and Sci-fi poetry in science fiction and fantasy. His debut thriller, MIND VIRUS, won the Rocky Mountain Fiction Writers Colorado Gold Award, and was a finalist for the Clive Cussler Grandmaster Award, the Killer Nashville Claymore Award, and the Pacific Northwest Writers Association Literary Award. The principles discussed can be applied to any genre.Ĭharles Kowalski is an active member of International Thriller Writers.

Specific topics to be addressed include the multiple layers of suspense (paragraph-level, scene-level, macrosuspense, and hypersuspense), how to make effective use of the pre, during, and post around key incidents, and the difference between suspense and action. This workshop will present ways of creating conflict and suspense. How to Keep Readers Turning Pages The secret to creating suspense is

Squeaky Wheels by Suzanne Kamata